Nationally known sportswriters can
become voices of generations if they ply their craft with enough skill and
passion. Grantland Rice, Red Smith and Bob Ryan represent just a few of the
scribes who captivated readers during their careers. Even though shifting media trends have driven
writers to be more versatile and knowledgeable on a variety of topics, their
impact on how their readership understands and appreciates sports remains. One
of the leading active writers at the forefront of this new world of sports journalism
is Sports Illustrated’s Steve Rushin.
Rushin was born and raised in
Minnesota to a family with a number of members having played organized and
professional sports, including baseball, football and hockey. He grew up
rooting for the Twins, and upon becoming a teenage, actually working for the
team. Of course, he also loved writing, which led him to his eventual career.
He was hired by S.I. within two weeks of graduating from Marquette University in
1988. Two years later, at the age of 25, he became the youngest senior writer
on their staff. He left S.I. in 2007,
but returned in 2010 as a contributor.
During his lengthy career with S.I. he has written about a variety of
sports, including baseball. He’s known for tackling off-the-cuff topics that
often eludes his peers. His carefully thought out articles show a different
side of sports that the reader often hasn’t seen, making him one of the more
unique writers in sports.
In addition to his columns for S.I. and articles
for other publications, Rushin has also authored several books.
He is married to former UConn and
WNBA basketball star Rebecca Lobo, who now works as a game announcer for ESPN.
The couple has four children together.
I recently had the great pleasure of
being able to pose some questions to Rushin, and find out a little more about
one of the best working sportswriters in the country. It was a real treat discovering
more about his career and love of baseball, as he has influenced fans and
writers like myself for more than a generation.
Steve Rushin Interview:
How did you first become interested in writing?: By becoming interested in reading. I suppose if I'd been
interested in cars I'd want to know how they were put together. But I was
interested in books--my mom was a teacher who shooed me off to our local
library--and I eventually became interested in how sentences were put together.
From as early as I can remember, I loved to read the side panels of cereal
boxes, so my first literary influences were the copywriters at Kellogg's and
General Mills. Also, my dad traveled a lot for work in the days before the
internet, and he'd bring home three-day-old newspapers from wherever he went
and I'd devour those, particularly the columns: Jim Murray in the LA Times, Red
Smith in the New York Times, Mike Royko in the Chicago Tribune. I was a strange
kid.
How did you come to write for Sports Illustrated?: We had a neighbor in the town I grew up in--Bloomington, Minnesota--who had a basketball half court in his backyard. He was a young junior college basketball coach named Flip Saunders, the same Flip Saunders who went on to coach the Timberwolves, Pistons and Wizards. We staged a 3-on-3 tournament on his hoop that I called the Saunders Hoop Invitational Tournament. You can work out the acronym on your own. I was in high school at the time. Around then, SI ran a long feature on the Gus Macker 3-on-3 basketball tournament held in Michigan. I wrote a letter to the magazine about our tournament and by some great stroke of fortune the author of the story, Alex Wolff, wrote me back. We became friends. I'd send him my journalism-class stories when I was in college. SI eventually bought one of them and published it as I was graduating. That got me a three-month internship as a fact-checker, which eventually led to a permanent job as a fact-checker. From there, I worked my way up to writer.
How did you come to write for Sports Illustrated?: We had a neighbor in the town I grew up in--Bloomington, Minnesota--who had a basketball half court in his backyard. He was a young junior college basketball coach named Flip Saunders, the same Flip Saunders who went on to coach the Timberwolves, Pistons and Wizards. We staged a 3-on-3 tournament on his hoop that I called the Saunders Hoop Invitational Tournament. You can work out the acronym on your own. I was in high school at the time. Around then, SI ran a long feature on the Gus Macker 3-on-3 basketball tournament held in Michigan. I wrote a letter to the magazine about our tournament and by some great stroke of fortune the author of the story, Alex Wolff, wrote me back. We became friends. I'd send him my journalism-class stories when I was in college. SI eventually bought one of them and published it as I was graduating. That got me a three-month internship as a fact-checker, which eventually led to a permanent job as a fact-checker. From there, I worked my way up to writer.
Can you talk a little bit about your connection to baseball-
specifically how/if you were influenced by several relatives who were major
league players?: Well, I grew up in Bloomington,
where the Twins played at Metropolitan Stadium. My two older brothers worked at
the Met, and when I turned 13, I did too. We made the food that the vendors
sold in the stands. But we also got to hang around the ballpark, pretend we
were big leaguers and occasionally even pull the tarp in a rain delay. For a
kid who loved baseball, it was a dream job, a baseball version of Willy Wonka's
factory--broken bats, batting-practice baseballs, pallets of hot dogs and
Frosty Malts and Grain Belt beer: This was my work environment at 13.
And as you say, my grandfather, a
catcher named Jimmy Boyle, played in the big leagues, for John McGraw's Giants
in 1926. He was with the team for two months that summer, but only saw one half
inning of action, catching the top of the ninth on a Sunday afternoon at the
Polo Grounds against the Pirates. His brother--my great uncle, Buzz
Boyle--played a couple seasons for the Boston Braves and then three more for
the Brooklyn Dodgers in the early 1930s. He was a very good player. And then
their two uncles--Jack Boyle and Ed Boyle--played in the big leagues in the
1880s and 1890s. Jack was a catcher for the St. Louis Browns, Phillies and
Giants. He was a great player. His brother Ed had a cup of coffee as a catcher
with the Pirates.
All of these relatives are on my
mother's side. It's less confusing to put it this way: My great grandfather was
a firefighter named Jim Boyle: He had two brothers who played in the big
leagues and two sons who played in the big leagues. I always found that pretty
amazing.
How much of a baseball fan are you now? What is your current involvement with the game?: I'm still a big baseball fan. I'd rather attend a baseball game than any other sport, though I've grown to love European and particularly English Premier League soccer over the years, too. I live in Connecticut, almost equidistant between Boston and New York, and there are few places in the country that maintain this level of passion for baseball, much to the nausea of the rest of America, which gets sick of hearing about the Yankees and Red Sox. I still follow the Twins, too. My dad, who still lives in the Twin Cities, gives me play-by-play over the phone every night in the summer. In baseball, the Twins were my first love (and my first employer) and that never really goes away completely.
With constantly shifting media, particularly to more online venues, where do you see the future of writing heading?: I have no idea and if I knew I wouldn't tell you. I'd be finding venture capitalists to help build the next media phenomenon. But I have almost no interest in, and even less aptitude for, business of any kind. It's one of the reasons I'm a writer. As I see it, writing is writing, however it's delivered. I used to throw the Minneapolis Tribune onto people's doorsteps. Now I read the paper on my phone. But that has more to do with reading than writing. The writing is the same. I'm not worried that people will suddenly stop reading, or wanting to hear stories or be informed or entertained. The economics of that is another story, and I haven't a clue how that story ends.
What
is the one thing you have written that you are most proud of, and why?: I've been ridiculously lucky to cover
just about everything, on all seven continents--I was in Antarctica in December
for SI--but one story that was personally meaningful is still the 1991 World
Series between the Twins and Braves. As a kid, I would write stories on my
mom's typewriter, in the basement, while watching games on TV. In October of
'91, I was 25, and living in New York but I stayed in the house I grew up in
Bloomington when the Series was in Minnesota. So after Jack Morris and the
Twins won Game 7 in ten innings late on a Sunday night, I drove my rental
car from the Metrodome back to my childhood home and stayed up all night writing
the story for SI in the same basement--in front of the same TV--where I used to
write stories while watching the Twins as an eighth-grader. It was surreal, how
neatly that dream came true.
What topic would you like to write about but haven't done so yet?: Well, I've covered most major events but a lot of minor ones too. Weird stuff, like playing ice golf in Greenland, badminton in Indonesia and most recently exploring Antarctica with a swimsuit model. But the beauty of journalism is that every week brings something different and there are still all kinds of new people and places and things to write about. I was in Chicago this past weekend, and as I drove into the city from O'Hare, and passed the Addison exit for Wrigley Field, I thought: I'd love to live long enough to see a World Series there.
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